Isn’t this film exactly what heroin is like? Like washing up on a magical island in 1969 and living in a villa on the sea where you have group sex with hot European models on smack, drop LSD, and listen to the some of the best music Pink Floyd ever made, then lay out in the sun like a lizard and embrace the beautiful nihilism of a fantasy world where it’s better to set the controls for the heart of the sun than to fade away?
Well, in my head, at least, that’s exactly what heroin is like. I think this may be my favorite drug film. More is the only film I can think of that simultaneously portrays the romanticism of heroin as a drug, and the opiate allure of actual romance—on heroin. The film is a play on the Icarus myth, and Schroeder uses female lead Estelle (played by heroin chic Mimsy Farmer) as a representation of the sun. Falling into heroin is like falling in love, and doing them both at the same time is life changing, life shattering, and usually does play out like a Greek tragedy.
Almendros’ cinematography here is dreamy, mythic, and alluring. He started out working with Eric Rohmer and Francois Truffaut. His direct shots of the sun in More are iconic and would have made Akira Kurosawa proud.
Unfortunately, Ibiza seems to have degenerated into a Eurotrash techno haven for drunken tourists and rich speculators who grabbed up all the Spanish villas as investments in the late 2000s. You can watch the decline on film, actually. From More (1969) to F For Fake (1975) to Ma Mere (2004).
This is a very cult film and, supposedly, junkies still make the pilgrimage to one of the key locations near the castle tunnel. I guess it’s better than heading to Leith.
Really, you should check this site out. Read about the film and see some more great stills: http://www.barbetschroeder.com/movies/more-1969/
The French trailer with subtitles: http://www.videodetective.com/movies/more/179856